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ILM.com Goes Behind the Scenes of Marvel’s Echo
The ILM studios in Vancouver and London took on a share of the visual effects for the series.
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ILM to Launch Lighter Darker Podcast September 3
Hosted by Rob Bredow and Todd Vaziri, the new program will explore the creative process and art of visual storytelling.
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ILM Demonstrates StageCraft at D23
The virtual production technology had its first public presentation.
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Visual Effects Supervisor Julian Foddy Talks World-Building The Acolyte
The longtime ILM London artist shares insights into creating the many worlds of The Acolyte from both the surface and outer space.
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Employee Spotlight: Beth D’Amato’s Journey from Internships to ILM
The digital paint supervisor/associate visual effects supervisor discusses her incredible career path.
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The Digital Road to The Phantom Menace: Character Animation in Dragonheart
ILM’s new software ‘Caricature’ helped unlock one of the most important keys to the digital renaissance in visual effects.
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The Digital Road to The Phantom Menace: The “Rebel Mac” Unit
Visual effects supervisor John Knoll formed a group of generalist artists to craft shots entirely on their own.
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The Digital Road to The Phantom Menace: ILM Artist Jean Bolte Talks Viewpaint
An innovative paint tool first created for Jurassic Park lent new detail and richness to ILM’s animated characters.
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The Digital Road to The Phantom Menace: Texture-Mapping Worlds from Neverland to Tatooine
An early digital tool largely fell out of use before its revival to help create the exciting podrace.
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History in Objects: Marfalump
The enthusiastic alien Star Wars fan from 1999’s Star Wars: The Phantom Menace promotional campaign lives on in the halls of Lucasfilm.