| MONSTER HOUSE | | Sony Pictures |
| WAR OF THE WORLDS | DreamWorks SKG |
| ADVENTURES IN ANIMATION | Taarna Productions |
| JARHEAD | Universal |
| CARS | Pixar |
| HARRY POTTER AND THE GOBLET OF FIRE* | Warner Bros. |
| THE PRIZE WINNER OF DEFIANCE OHIO | DreamWorks SKG |
| STAY | Fox |
| 2005 | | HOWL'S MOVING CASTLE | | Disney |
| 2005 | STAR WARS: EPISODE III "Revenge of the Sith" | Lucasfilm, Ltd. |
| 2005 | XXX: STATE OF THE UNION | Revolution |
| 2005 | THE MATADOR | Miramax |
| 2005 | LORELEI: THE WITCH OF THE PACIFIC OCEAN | Fuji Japan |
| 2004 | THE WEATHER MAN | Paramount |
| 2004 | THE POLAR EXPRESS
Academy Award Nomination- Best Sound Effects Editing
Academy Award Nomination- Best Sound | Warner Bros. |
| 2004 | THE INCREDIBLES
Academy Award - Best Sound Effects Editing
Academy Award Nomination- Best Sound | Pixar |
| 2004 | MILLION DOLLAR BABY | Warner Bros. |
| 2004 | FINDING NEVERLAND | Miramax |
| 2004 | TARNATION | Wellspring Media |
| 2004 | NOVEMBER | Sony Pictures Classics |
| 2004 | HOODWINKED: THE TRUE STORY OF RED RIDING HOOD | Independent Animated Feature |
| 2004 | THE VILLAGE | Disney |
| 2004 | CATWOMAN | Warner Bros. |
| 2004 | FAHRENHEIT 9/11 | Miramax |
| 2004 | SHREK 2 | PDI/ DreamWorks SKG |
| 2004 | VIRTUAL ACTORS feat. THE BOXER (IMAX 3D) | Taarna Productions |
| 2004 | GHOST IN THE SHELL 2: INNOCENCE | DreamWorks SKG |
| 2004 | ENVY | DreamWorks SKG |
| 2004 | ELLA ENCHANTED | Miramax |
| 2004 | HELLBOY | Revolution |
| 2004 | JERSEY GIRL | Miramax |
| 2004 | TWISTED | Paramount |
| 2003 | MY FLESH AND BLOOD | Strand |
| 2003 | PETER PAN | Universal/ Columbia/ Revolution |
| 2003 | LARA CROFT TOMB RAIDER: THE CRADLE OF LIFE | Paramount |
| 2003 | PHILHARMAGIC (Walt Disney World Theme Park Ride) | Disney |
| 2003 | PIRATES OF THE CARIBBEAN* | Disney |
| 2003 | THE HULK | Universal |
| 2003 | THE YOUNG BLACK STALLION (IMAX) | Disney |
| 2003 | FINDING NEMO | Pixar/Disney |
| 2003 | MYSTIC RIVER | Warner Bros. |
| 2003 | SHREK 4D (Themepark Ride) | Dreamworks SKG |
| 2003 | THE DUST FACTORY | Barh Productions |
| 2003 | GHOSTS OF THE ABYSS | Disney |
| 2003 | THE HUNTED | Paramount |
| 2003 | DAREDEVIL* | 20th Century Fox |
| 2003 | DARKNESS FALLS | Columbia |
| 2003 | THE RECRUIT | Touchstone |
| 2002 | ADAPTATION | Propaganda/Columbia |
| 2002 | MAID IN MANHATTAN | Revolution/Columbia |
| 2002 | HARRY POTTER AND THE CHAMBER OF SECRETS* | Warner Bros. |
| 2002 | THE GUEST | Miramax |
| 2002 | THE RING | DreamWorks SKG |
| 2002 | AMANDLA! A REVOLUTION IN FOUR PART HARMONY | HBO |
| 2002 | ABANDON | Paramount |
| 2002 | THE EMPEROR'S CLUB | Universal |
| 2002 | PUNCH-DRUNK LOVE | Revolution |
| 2002 | SPY KIDS 2: THE ISLAND OF LOST DREAMS | Dimension |
| 2002 | BLOOD WORK | Warner Bros. |
| 2002 | THE TOUCH | Miramax |
| 2002 | LILO AND STITCH | Disney |
| 2002 | MINORITY REPORT
Academy Award Nomination -- Best Sound Effects Editing | DreamWorks SKG /Fox |
| 2002 | WINDTALKERS | MGM |
| 2002 | STAR WARS: EPISODE II "Attack of the Clones" | Lucasfilm Ltd./Fox |
| 2002 | PANIC ROOM | Columbia |
| 2002 | 40 DAYS AND 40 NIGHTS | Miramax |
| 2002 | HART'S WAR | MGM |
| 2001 | TREMBLING BEFORE GOD | Simcha Leib Productions |
| 2001 | MONSTERS, INC.
Academy Award Nomination -- Best Sound Effects Editing | Pixar |
| 2001 | FROM HELL | 20th Century Fox |
| 2001 | IRON MONKEY | Miramax |
| 2001 | BANDITS | MGM |
| 2001 | O | Miramax |
| 2001 | JAY AND SILENT BOB STRIKE BACK | Miramax |
| 2001 | OSMOSIS JONES* | Warner Bros. |
| 2001 | MIMIC 2 | Dimension |
| 2001 | FINAL FANTASY | Columbia Pictues |
| 2001 | JURASSIC PARK III | Universal |
| 2001 | A.I. ARTIFICIAL INTELLIGENCE | Warner Bros./DreamWorks SKG |
| 2001 | ATLANTIS: THE LOST EMPIRE | Disney |
| 2001 | TOMB RAIDER | Paramount |
| 2001 | PEARL HARBOR
Academy Award - Best Sound Effects Editing | Touchstone |
| 2001 | SPY KIDS | Dimension |
| 2001 | THE MEXICAN | DreamWorks SKG |
| 2001 | HAIKU TUNNEL | Pandemonium |
| 2000 | OCEAN OASIS | IMAX |
| 2000 | EVERLASTING PIECE | DreamWorks SKG |
| 2000 | DRACULA 2000 | Dimension |
| 2000 | CAST AWAY
Academy Award Nomination -- Best Sound | 20th Century Fox |
| 2000 | 102 DALMATIANS | Disney |
| 2000 | QUILLS | 20th Century Fox |
| 2000 | THE LEGEND OF BAGGER VANCE | DreamWorks SKG |
| 2000 | REQUIEM FOR A DREAM | Protoza Pictures |
| 2000 | THE YARDS | Miramax |
| 2000 | THE EXORCIST (Rerelease) | Paramount |
| 2000 | INTO THE ARMS OF STRANGERS | Sabine Films |
| 2000 | THE REPLACEMENTS | Warner Bros. |
| 2000 | SPACE COWBOYS | Warner Bros. |
| 2000 | WHAT LIES BENEATH | DreamWorks SKG |
| 2000 | X-MEN | 20th Century Fox |
| 2000 | GROOVE | 415 Productions |
| 2000 | TITAN A.E. | 20th Century Fox |
| 2000 | DINOSAUR | Disney |
| 2000 | FREQUENCY | New Line |
| 2000 | RULES OF ENGAGEMENT | Paramount |
| 2000 | PITCH BLACK | Interscope |
| 1999 | TITUS | Fox Searchlight |
| 1999 | CIRQUE DE SOLEIL | IMAX |
| 1999 | SNOW FALLING ON CEDARS | Universal |
| 1999 | GALAXY QUEST | DreamWorks SKG |
| 1999 | IN TOO DEEP | Miramax |
| 1999 | BICENTENNIAL MAN | Disney |
| 1999 | DOGMA | Lions Gate |
| 1999 | TOY STORY 2 | Disney |
| 1999 | ANYWHERE BUT HERE | 20th Century Fox |
| 1999 | FIGHT CLUB
Academy Award Nomination -- Best Sound Effects Editing | 20th Century |
| 1999 | OUTSIDE PROVIDENCE | Miramax |
| 1999 | IRON GIANT | Warner Bros. |
| 1999 | THE HAUNTING | DreamWorks SKG |
| 1999 | LAKE PLACID | 20th Century Fox |
| 1999 | LIBERTY HEIGHTS | Warner Bros. |
| 1999 | ARLINGTON ROAD | PolyGram |
| 1999 | STAR WARS: EPISODE I "The Phantom Menace"
Academy Award Nomination -- Best Sound
Academy Award Nomination -- Best Sound Effects Editing
BAFTA Nomination - Best Sound | Lucasfilm Ltd. |
| 1999 | A MIDSUMMER NIGHT'S DREAM | Fox Searchlight |
| 1999 | FORCES OF NATURE* | DreamWorks SKG |
| 1999 | OFFICE SPACE | 20th Century Fox |
| 1998 | THE FACULTY | Miramax |
| 1998 | STEPMOM | TriStar |
| 1998 | ENEMY OF THE STATE* | Disney |
| 1998 | A BUG'S LIFE | Disney |
| 1998 | REACH THE ROCK | Gramercy Pictures |
| 1998 | 54 | Miramax |
| 1998 | HALLOWEEN H2O | Miramax |
| 1998 | SAVING PRIVATE RYAN
Academy Award - Best Sound
Academy Award - Best Sound Effects Editing
BAFTA Award - Best Sound | DreamWorks SKG |
| 1998 | ARMAGEDDON* | Disney |
| 1998 | QUEST FOR CAMELOT* | Warner Bros. Feature Animation |
| 1998 | THE HORSE WHISPERER | Disney |
| 1998 | THE NEWTON BOYS | 20th Century Fox |
| 1998 | GERI'S GAME | Pixar |
| 1998 | IN GOD'S HANDS | TriStar |
| 1998 | SPHERE | Warner Bros. |
| 1997 | GREAT EXPECTATIONS | 20th Century Fox |
| 1997 | WAG THE DOG | New Line Cinema |
| 1997 | TITANIC
Academy Award - Best Sound
Academy Award - Best Sound Effects Editing | Paramount/20th Century Fox |
| 1997 | THE GAME | Propaganda Films |
| 1997 | MIMIC | Dimension |
| 1997 | CONTACT
Academy Award Nomination - Best Sound | Warner Bros. |
| 1997 | HERCULES | Disney |
| 1997 | SPEED 2: CRUISE CONTROL* | 20th Century Fox |
| 1997 | CON AIR* | Disney |
| 1997 | THE LOST WORLD: JURASSIC PARK | Amblin/Universal |
| 1997 | VOLCANO | 20th Century Fox |
| 1997 | B*A*P*S | New Line Cinema |
| 1997 | STAR WARS TRILOGY SPECIAL EDITION | 20th Century Fox/Lucasfilm Ltd. |
| 1997 | BEVERLY HILLS NINJA | TriStar |
| 1996 | MARS ATTACKS! | Warner Bros. |
| 1996 | ONE FINE DAY | 20th Century Fox |
| 1996 | SLEEPERS | Warner Bros. |
| 1996 | ROMEO AND JULIET | 20th Century Fox |
| 1996 | ELLEN'S ENERGY CRISIS | Disney Theme Park Prod./EPCOT |
| 1996 | ENCHANTED CASTLE | IWERKS/Destination Cinema |
| 1996 | MEXICO | IMAX/Sol Film |
| 1996 | THE ARRIVAL | Orion |
| 1996 | THE GREAT WHITE HYPE | 20th Century Fox |
| 1996 | JAMES & THE GIANT PEACH | Disney |
| 1996 | ERASER* | Warner Bros. |
| 1996 | THE ROCK* | Disney |
| 1996 | MISSION: IMPOSSIBLE | Paramount |
| 1996 | SPECIAL EFFECTS | IMAX/WGBH |
| 1995 | CASPER | Amblin/Universal |
| 1995 | CELLULOID CLOSET | Sony Classics |
| 1995 | CIRCLE OF LIFE | Disney |
| 1995 | HOME FOR THE HOLIDAYS | 20th Century Fox |
| 1995 | THE HUNTED | Universal |
| 1995 | JUMANJI | TriStar |
| 1995 | NINE MONTHS | 20th Century Fox |
| 1995 | OZARKS | IMAX/ITEC Attractions |
| 1995 | PICTURE BRIDE | Miramax |
| 1995 | SPECIES | MGM/UA |
| 1995 | STRANGE DAYS | 20th Century Fox |
| 1995 | TOY STORY | Disney |
| 1995 | THE GREAT AMERICAN WEST | IMAX/Utah Productions |
| 1995 | ZION | IMAX/Keith Merrill Productions |
| 1994 | BABY'S DAY OUT | Columbia |
| 1994 | DISCLOSURE | Warner Bros. |
| 1994 | FORREST GUMP
Academy Award Nomination - Best Sound
Academy Award Nomination - Best Sound Effects Editing | Paramount |
| 1994 | GRAND CANYON | IMAX/Cinema Group |
| 1994 | HONEY, I SHRUNK THE AUDIENCE | Disney |
| 1994 | THE JOURNEY INSIDE | IMAX/Intel Corp. |
| 1994 | MIRACLE ON 34TH STREET | 20th Century Fox |
| 1994 | QUIZ SHOW | Buena Vista |
| 1994 | RADIOLAND MURDERS | Universal |
| 1994 | RETURN OF THE JEDI (FOREIGN VIDEO) | 20th Century Fox/Lucasfilm Ltd. |
| 1994 | YELLOWSTONE | IMAX/Destination Cinema |
| 1993 | JURASSIC PARK
Academy Award - Best Sound
Academy Award - Best Sound Effects Editing | Amblin/Universal |
| 1993 | METEORMAN | MGM/UA |
| 1993 | MRS. DOUBTFIRE | 20th Century Fox |
| 1993 | THE NUTCRACKER | Warner Bros. |
| 1993 | RISING SUN | 20th Century Fox |
| 1993 | THE SAINT OF FORT WASHINGTON | Warner Bros. |
| 1992 | A RIVER RUNS THROUGH IT | Columbia |
| 1992 | POLYNESIAN ODYSSEY | IMAX |
| 1992 | SINGLE WHITE FEMALE | Gramercy |
| 1992 | TOYS | 20th Century Fox |
| 1992 | TO BE AN ASTRONAUT | IWERKS |
| 1992 | THE YOUNG INDIANA JONES CHRONICLES
Emmy Award - Best Sound | Lucasfilm Ltd. |
| 1991 | BACKDRAFT
Academy Award Nomination - Best Sound
Academy Award Nomination - Best Sound Effects Editing | Imagine |
| 1991 | BUGSY | TriStar |
| 1991 | F/X II | Orion |
| 1991 | THE FIVE HEARTBEATS | 20th Century Fox |
| 1991 | RUSH | MGM/UA |
| 1991 | SOAPDISH | Paramount |
| 1991 | TERMINATOR 2: JUDGMENT DAY
Academy Award - Best Sound
Academy Award - Best Sound Effects Editing | Carolco/TriStar |
| 1991 | SPACE RACE (Simulator Ride) | Showscan |
| 1990 | AVALON | TriStar |
| 1990 | THE GODFATHER, PART III | Paramount |
| 1990 | HENRY & JUNE | Universal |
| 1990 | THE HOT SPOT | Orion |
| 1990 | WILD AT HEART | PolyGram |
| 1989 | ALWAYS | Amblin/Universal |
| 1989 | BODY WARS (Simulator Ride for EPCOT Center) | Disney Theme Park Prod./EPCOT |
| 1989 | COLD DOG SOUP | Handmade Prods. |
| 1989 | DRIVING MISS DAISY | Warner Bros. |
| 1989 | FLETCH LIVES | Universal |
| 1989 | INDIANA JONES AND THE LAST CRUSADE
Academy Award - Best Sound Effects Editing
Academy Award Nomination - Best Sound | Lucasfilm Ltd./Paramount |
| 1989 | ROMERO | Four Seasons |
| 1988 | COCOON: THE RETURN | 20th Century Fox |
| 1988 | COLORS | Orion |
| 1988 | THE COUCH TRIP | Orion |
| 1988 | THE LAND BEFORE TIME | Universal |
| 1988 | POWAQQATSI | Cannon |
| 1988 | TUCKER: THE MAN AND HIS DREAM | Paramount/Lucasfilm/Zoetrope |
| 1988 | WILLOW
Academy Award Nomination - Best Sound Effects Editing | MGM/Lucasfilm Ltd. |
| 1987 | STAR TOURS (Simulator Ride for Disneyland) | Disney Theme Park. |
| 1987 | ALAMO | IMAX/Texas Cavalcade |
| 1987 | GARDENS OF STONE | TriStar |
| 1987 | NIAGARA | IMAX/Cinema Group |
| 1987 | SPACEBALLS | MGM/UA |
| 1986 | CAPTAIN E.O. (3-D Film for Disneyland) | Disney |
| 1986 | HOWARD THE DUCK | Universal/Lucasfilm Ltd. |
| 1986 | REMO WILLIAMS: THE ADVENTURE | Orion |
| 1985 | COCOON | 20th Century Fox |
| 1985 | THE DREAM IS ALIVE | IMAX |
| 1985 | EWOKS II: THE BATTLE FOR ENDOR
Television/Lucasfilm Ltd. | 20th Century Fox |
| 1985 | EXPLORERS | Paramount |
| 1985 | FLETCH | Universal |
| 1985 | THE GRAND CANYON | IMAX/Cinema Group |
| 1985 | LATINO | Cinecom |
| 1985 | THE LEGEND OF BILLIE JEAN | TriStar |
| 1985 | THE MEAN SEASON | Orion |
| 1985 | MISHIMA | Warner Bros. |
| 1985 | WILD ROSE | New Front/Ely Lake |
| 1984 | THE EWOK ADVENTURE
Television/Lucasfilm Ltd. | 20th Century Fox |
| 1984 | INDIANA JONES & THE TEMPLE OF DOOM | Paramount/Lucasfilm Ltd. |
| 1984 | TRILOGY: THE MAKING OF A SAGA | Lucasfilm Ltd. |
| 1983 | KOYAANISQUATSI | Cannon |
| 1983 | RETURN OF THE JEDI
Academy Award Nomination - Best Sound
Academy Award Nomination - Best Sound Effects Editing | 20th Century Fox/Lucasfilm Ltd. |
| 1982 | E.T. THE EXTRA-TERRESTRIAL
Academy Award - Best Sound
Academy Award - Best Sound Effects Editing | Universal |
| 1981 | RAIDERS OF THE LOST ARK
Academy Award - Best Sound Effects Editing | Paramount/Lucasfilm Ltd. |
| 1980 | THE EMPIRE STRIKES BACK
Academy Award - Best Sound | 20th Century Fox/Lucasfilm Ltd. |
| 1977 | STAR WARS
Academy Award - Best Sound
Special Achievement Award for Alien, Creature and Robot Voice Creation | Lucasfilm Ltd. |
![[ Lucasfilm.com ]](/press/img/site_nav_logo_content.gif){kind=logo}
![[ Archives ]](/img/content/archives_button.gif "[ Archives ]")
![[ Print This Page ]](/img/content/print_button.gif "[ Print This Page ]")
![[ Email This Page ]](/img/content/emailthis_button.gif "[ Email This Page ]")
