| THE CHRONICLES OF NARNIA: THE LION, THE WITCH AND THE WARDROBE | | Disney |
| POSEIDON | Warner Bros. |
| PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST | Disney |
| ANTARCTICA | Disney |
| RENT | Revolution |
| HERBIE: FULLY LOADED | Disney |
| WAR OF THE WORLDS | Paramount/DreamWorks SKG |
| JARHEAD | Universal |
| THE ISLAND | DreamWorks SKG/Warner Bros. |
| HARRY POTTER AND THE GOBLET OF FIRE | Warner Bros. |
| 2005 | | THE ADVENTURES OF SHARK BOY AND LAVA GIRL | | Dimension Films |
| 2005 | STAR WARS: EPISODE III "Revenge of the Sith" | Lucasfilm Ltd. |
| 2005 | XXX: STATE OF THE UNION | Revolution |
| 2005 | THE AMITYVILLE HORROR | MGM |
| 2005 | EROS | Masti |
| 2005 | THE PACIFIER | Disney |
| 2005 | SON OF THE MASK | New Line Cinema |
| 2005 | ARE WE THERE YET? | Revolution |
| 2004 | LEMONY SNICKET'S A SERIES OF UNFORTUNATE EVENTS | Paramount |
| 2004 | SKY CAPTAIN AND THE WORLD OF TOMORROW | Paramount |
| 2004 | THE VILLAGE | Disney |
| 2004 | THE BOURNE SUPREMACY | Universal |
| 2004 | THE CHRONICLES OF RIDDICK | Universal |
| 2004 | HARRY POTTER AND THE PRISONER OF AZKABAN
Academy Award Nomination -- Best Visual Effects
British Academy Nomination -- Best Visual Effects | Warner Bros. |
| 2004 | THE DAY AFTER TOMORROW | 20th Century Fox |
| 2004 | VAN HELSING | Universal |
| 2004 | HIDALGO | Disney |
| 2004 | TWISTED | Paramount |
| 2004 | ALONG CAME POLLY | Universal |
| 2003 | PETER PAN | Universal/ Columbia/ Revolution |
| 2003 | STUCK ON YOU | 20th Century Fox |
| 2003 | TIMELINE | Paramount |
| 2003 | MASTER AND COMMANDER: THE FAR SIDE OF THE WORLD
Academy Award Nomination -- Best Visual Effects
British Academy Nomination -- Best Visual Effects | 20th Century Fox |
| 2003 | ONCE UPON A TIME IN MEXICO | Miramax |
| 2003 | 11'9"01 -- SEPTEMBER 11 (SEGMENT USA) | Empire Pictures |
| 2003 | THE LEAGUE OF EXTRAORDINARY GENTLEMEN | 20th Century Fox |
| 2003 | PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL
Academy Award Nomination -- Best Visual Effects
British Academy Nomination -- Best Visual Effects | Disney |
| 2003 | TERMINATOR 3: RISE OF THE MACHINES | Warner Bros. |
| 2003 | THE HULK | Universal |
| 2003 | DREAMCATCHER | Warner Bros. |
| 2003 | TEARS OF THE SUN | Revolution Studios |
| 2003 | THE HUNTED | Paramount |
| 2002 | GANGS OF NEW YORK
British Academy Nomination -- Best Visual Effects | Miramax |
| 2002 | HARRY POTTER AND THE CHAMBER OF SECRETS
British Academy Nomination -- Best Visual Effects | Warner Bros. |
| 2002 | STAR WARS BOUNTY HUNTER | LucasArts Entertaiment |
| 2002 | PUNCH-DRUNK LOVE | Revolution |
| 2002 | BLOOD WORK | Warner Bros. |
| 2002 | SIGNS | Disney |
| 2002 | K-19 | Paramount |
| 2002 | MEN IN BLACK 2 | Sony Pictures |
| 2002 | MINORITY REPORT
British Academy Nomination -- Best Visual Effects | DreamWorks SKG |
| 2002 | THE BOURNE IDENTITY | Universal |
| 2002 | STAR WARS: EPISODE II "Attack of the Clones"
Academy Award Nomination -- Best Visual Effects | Lucasfilm Ltd. |
| 2002 | BIG TROUBLE | Disney |
| 2002 | E.T. THE EXTRA-TERRESTRIAL: 20th Anniversary | Universal |
| 2002 | THE TIME MACHINE | Warner Bros./DreamWorks SKG |
| 2002 | IMPOSTOR | Miramax/Dimension |
| 2001 | THE MAJESTIC | Warner Bros. |
| 2001 | HARRY POTTER AND THE SORCERER'S STONE | Warner Bros. |
| 2001 | PLANET OF THE APES | 20th Century Fox |
| 2001 | JURASSIC PARK III | Universal |
| 2001 | A.I. ARTIFICIAL INTELLIGENCE
Academy Award Nomination -- Best Visual Effects
British Academy Nomination -- Best Visual Effects | Warner Bros./DreamWorks SKG |
| 2001 | PEARL HARBOR
Academy Award Nomination -- Best Visual Effects | Disney |
| 2001 | THE MUMMY RETURNS | Universal |
| 2001 | SWEET NOVEMBER | Warner Bros. |
| 2001 | THE PLEDGE | Warner Bros. |
| 2000 | POLLOCK | Sony Pictures Classics |
| 2000 | PAY IT FORWARD | Miramax |
| 2000 | SPACE COWBOYS | Warner Bros. |
| 2000 | THE PERFECT STORM
Academy Award Nomination -- Best Visual Effects
British Academy Award - Best Visual Effects | Warner Bros. |
| 2000 | THE ADVENTURES OF ROCKY AND BULLWINKLE | Universal |
| 2000 | MISSION TO MARS | Disney |
| 1999 | SWEET AND LOWDOWN | Sony Pictures Classics |
| 1999 | SNOW FALLING ON CEDARS | Universal |
| 1999 | MAGNOLIA | New Line Cinema |
| 1999 | GALAXY QUEST | DreamWorks SKG |
| 1999 | DEEP BLUE SEA | Warner Bros. |
| 1999 | THE GREEN MILE | Warner Bros. |
| 1999 | SLEEPY HOLLOW
British Academy Nomination -- Best Visual Effects | Paramount |
| 1999 | BRINGING OUT THE DEAD | Paramount/Disney |
| 1999 | THE HAUNTING | DreamWorks SKG |
| 1999 | WILD WILD WEST | Warner Bros. |
| 1999 | STAR WARS: EPISODE I "The Phantom Menace"
Academy Award Nomination -- Best Visual Effects
British Academy Nomination - Best Visual Effects | Lucasfilm Ltd. |
| 1999 | THE MUMMY
British Academy Nomination - Best Visual Effects | Universal |
| 1999 | OCTOBER SKY | Universal |
| 1998 | THE LAST DAYS | October Films |
| 1998 | MIGHTY JOE YOUNG
Academy Award Nomination - Best Visual Effects | Disney |
| 1998 | JACK FROST | Warner Bros. |
| 1998 | CELEBRITY | Miramax |
| 1998 | MEET JOE BLACK | Universal |
| 1998 | REACH THE ROCK | Gramercy Pictures |
| 1998 | SNAKE EYES | Paramount/Disney |
| 1998 | SAVING PRIVATE RYAN
British Academy Award - Best Visual Effects | DreamWorks SKG |
| 1998 | SMALL SOLDIERS | DreamWorks SKG |
| 1998 | DEEP IMPACT | DreamWorks SKG/Paramount |
| 1998 | MERCURY RISING | Universal/Imagine Films |
| 1998 | DEEP RISING | Disney |
| 1997 | DECONSTRUCTING HARRY | Fine Line Features |
| 1997 | AMISTAD | DreamWorks SKG |
| 1997 | TITANIC | 20th Century Fox/Paramount |
| 1997 | FLUBBER | Disney |
| 1997 | MIDNIGHT IN THE GARDEN OF GOOD & EVIL | Warner Bros. |
| 1997 | STARSHIP TROOPERS | TriStar/Touchstone |
| 1997 | SPAWN | New Line Cinema |
| 1997 | CONTACT | Warner Bros. |
| 1997 | MEN IN BLACK
British Academy Award - Best Visual Effects | Columbia |
| 1997 | SPEED 2: CRUISE CONTROL | 20th Century Fox |
| 1997 | THE LOST WORLD: JURASSIC PARK
Academy Award Nomination - Best Visual Effects | Amblin/Universal |
| 1997 | STAR WARS TRILOGY SPECIAL EDITION | 20th Century Fox/Lucasfilm Ltd. |
| 1996 | MARS ATTACKS! | Warner Bros. |
| 1996 | STAR TREK: FIRST CONTACT | Paramount |
| 1996 | 101 DALMATIANS | Disney |
| 1996 | DAYLIGHT | Universal |
| 1996 | SLEEPERS | Warner Bros. |
| 1996 | TRIGGER EFFECT | Universal |
| 1996 | ERASER | Warner Bros. |
| 1996 | DRAGONHEART
Academy Award Nomination - Best Visual Effects | Universal |
| 1996 | TWISTER
Academy Award Nomination - Best Visual Effects
British Academy Award - Best Visual Effects | Warner Bros./Universal |
| 1996 | MISSION: IMPOSSIBLE | Paramount |
| 1996 | SPECIAL EFFECTS (AN IMAX FILM) | WGBH |
| 1995 | JUMANJI | TriStar |
| 1995 | THE AMERICAN PRESIDENT | Columbia/Castle Rock |
| 1995 | SABRINA | Paramount |
| 1995 | THE INDIAN IN THE CUPBOARD | Paramount |
| 1995 | CONGO | Paramount |
| 1995 | CASPER | Amblin/Universal |
| 1995 | VILLAGE OF THE DAMNED | Universal |
| 1995 | IN THE MOUTH OF MADNESS | Katja/New Line Cinema |
| 1994 | DISCLOSURE | Warner Bros. |
| 1994 | STAR TREK GENERATIONS | Paramount |
| 1994 | RADIOLAND MURDERS | Lucasfilm Ltd./Universal |
| 1994 | THE MASK
Academy Award Nomination - Best Visual Effects
British Academy Award Nomination - Best Visual Effects | New Line Cinema |
| 1994 | FORREST GUMP
Academy Award - Best Visual Effects
British Academy Award - Best Visual Effects | Paramount |
| 1994 | BABY'S DAY OUT | 20th Century Fox |
| 1994 | WOLF | Columbia |
| 1994 | MAVERICK | Warner Bros. |
| 1994 | THE FLINTSTONES | Amblin/Universal |
| 1994 | THE HUDSUCKER PROXY | Warner Bros. |
| 1993 | SCHINDLER'S LIST | Amblin/Universal |
| 1993 | JURASSIC PARK
Academy Award - Best Visual Effects
British Academy Award - Best Visual Effects | Amblin/Universal |
| 1993 | FIRE IN THE SKY | Paramount |
| 1993 | RISING SUN | 20th Century Fox |
| 1993 | MALICE | Castle Rock/Warner Bros. |
| 1993 | METEORMAN | MGM |
| 1993 | LAST ACTION HERO | Columbia Pictures |
| 1993 | MANHATTAN MURDER MYSTERY | TriStar Pictures |
| 1993 | THE NUTCRACKER | Warner Bros |
| 1992 | DEATH BECOMES HER
Academy Award - Best Visual Effects
British Academy Award - Best Visual Effects | Universal |
| 1992 | ALIVE | Disney/Paramount |
| 1992 | ALIEN ENCOUNTER
Simulator Ride | Showscan |
| 1992 | MEMOIRS OF AN INVISIBLE MAN | Warner Bros. |
| 1992 | THE YOUNG INDIANA JONES CHRONICLES | Lucasfilm Ltd. |
| 1991 | HOOK
Academy Award Nomination - Best Visual Effects | Columbia/Amblin |
| 1991 | STAR TREK VI
Academy Award Nomination - Best Visual Effects | Paramount |
| 1991 | SPACE RACE
Simulator Ride | Showscan |
| 1991 | TERMINATOR 2: JUDGMENT DAY
Academy Award - Best Visual Effects
British Academy Award - Best Visual Effects | Carolco/TriStar |
| 1991 | THE ROCKETEER
Academy Award Nomination - Best Visual Effects | Disney |
| 1991 | BACKDRAFT | Imagine Films |
| 1991 | HUDSON HAWK | TriStar Pictures |
| 1991 | THE DOORS | TriStar Pictures |
| 1991 | ARACHNIPHOBIA | Amblin/Universal |
| 1991 | SWITCH | HBO Films |
| 1991 | MICKEY'S AUDITION | Disney |
| 1990 | DIE HARD 2 | 20th Century Fox |
| 1990 | BACK TO THE FUTURE, PART III | Amblin/Universal |
| 1990 | THE HUNT FOR RED OCTOBER | Paramount |
| 1990 | GHOST | Paramount |
| 1990 | THE GODFATHER, PART III | Paramount |
| 1990 | JOE VERSUS THE VOLCANO | Warner Bros. |
| 1990 | AKIRA KUROSAWA'S DREAMS | Kurosawa Prods./Warner Bros. |
| 1990 | ROLLER COASTER RABBIT | Disney |
| 1989 | ALWAYS | Amblin/Universal |
| 1989 | BACK TO THE FUTURE, PART II
Academy Award Nomination - Best Visual Effects
British Academy Award - Best Visual Effects | Amblin/Universal |
| 1989 | THE ABYSS
Academy Award - Best Visual Effects 20th Century Fox | GJP Productions/ |
| 1989 | GHOSTBUSTERS II | Columbia |
| 1989 | INDIANA JONES AND THE LAST CRUSADE | Lucasfilm Ltd./Paramount |
| 1989 | FIELD OF DREAMS | Universal |
| 1989 | TUMMY TROUBLE | Disney |
| 1989 | MICKEY - EISNER SPOT | Disney |
| 1989 | BODY WARS
Simulator Ride for Disneyworld's EPCOT Center | Disney |
| 1989 | SKIN DEEP | Blake Edwards Co. |
| 1989 | THE 'BURBS | Renfield Productions/Universal |
| 1988 | THE LAST TEMPTATION OF CHRIST | Universal |
| 1988 | COCOON, THE RETURN | 20th Century Fox |
| 1988 | CADDYSHACK II | Warner Bros. |
| 1988 | WHO FRAMED ROGER RABBIT?
Academy Award - Best Visual Effects
British Academy Award - Best Visual Effects | Touchstone Pictures/Amblin |
| 1988 | TUCKER: A MAN AND HIS DREAM | Lucasfilm Ltd. |
| 1988 | STAR TREK ATTRACTION
Universal Studios Tour | Universal/Paramount |
| 1988 | WILLOW
Academy Award Nomination - Best Visual Effects | MGM/Lucasfilm Ltd. |
| 1987 | EMPIRE OF THE SUN | Warner Bros./Amblin |
| 1987 | STAR TREK: THE NEXT GENERATION
"Journey to Farpoint" | Paramount Television |
| 1987 | BATTERIES NOT INCLUDED
Academy Award - Technical Achievement | Universal/Amblin |
| 1987 | INNERSPACE
Academy Award - Best Visual Effects | Warner Bros./Amblin |
| 1987 | HARRY AND THE HENDERSONS | Universal/Amblin |
| 1987 | THE WITCHES OF EASTWICK
British Academy Award - Best Visual Effects | Warner Bros. |
| 1987 | STAR TOURS
Simulator Ride for Disneyland | Disney/Lucasfilm Ltd. |
| 1986 | THE GOLDEN CHILD | Paramount |
| 1986 | STAR TREK IV: THE VOYAGE HOME | Paramount |
| 1986 | CAPTAIN EO
3-D Film for Disneyland | Disney |
| 1986 | HOWARD THE DUCK | Universal |
| 1986 | LABYRINTH | TriStar/Hanson Prod. |
| 1986 | GENERAL CINEMA TRAILER | General Cinema Corp. |
| 1986 | THE MONEY PIT | Universal/Amblin |
| 1985 | OUT OF AFRICA | Universal |
| 1985 | ENEMY MINE
Academy Award Nomination - Best Visual Effects | 20th Century Fox |
| 1985 | YOUNG SHERLOCK HOLMES | Paramount/Amblin |
| 1985 | EWOKS: THE BATTLE FOR ENDOR
Emmy Award - Best Visual Effects Television/Lucasfilm Ltd. | 20th Century Fox |
| 1985 | AMAZING STORIES | Universal Television/Amblin |
| 1985 | MISHIMA | Warner Bros. |
| 1985 | EXPLORERS | Paramount |
| 1985 | BACK TO THE FUTURE
British Academy Award Nomination - Best Visual Effects | Universal/Amblin |
| 1985 | COCOON
Academy Award - Best Visual Effects | 20th Century Fox |
| 1985 | THE GOONIES | Warner Bros./Amblin |
| 1984 | STARMAN | Columbia |
| 1984 | THE EWOK ADVENTURE
Emmy Award - Best Visual Effects Television/Lucasfilm Ltd. | 20th Century Fox |
| 1984 | THE NEVERENDING STORY | Bavaria Studios |
| 1984 | STAR TREK III: THE SEARCH FOR SPOCK | Paramount |
| 1984 | INDIANA JONES & THE TEMPLE OF DOOM
Academy Award - Best Visual Effects
British Academy Award - Best Visual Effects | Paramount/Lucasfilm Ltd. |
| 1983 | TWICE UPON A TIME | Korty/Lucasfilm Ltd. |
| 1983 | RETURN OF THE JEDI
Academy Award - Best Visual Effects
British Academy Award - Best Visual Effects | 20th Century Fox/Lucasfilm Ltd. |
| 1982 | THE DARK CRYSTAL | Henson Productions |
| 1982 | E.T.: THE EXTRA-TERRESTRIAL
Academy Award - Best Visual Effects | Universal |
| 1982 | STAR TREK II: THE WRATH OF KHAN | Paramount |
| 1982 | POLTERGEIST
Academy Award Nomination - Best Visual Effects
British Academy Award - Best Visual Effects | MGM/UA |
| 1981 | DRAGONSLAYER
Academy Award Nomination - Best Visual Effects | Paramount |
| 1981 | RAIDERS OF THE LOST ARK
Academy Award - Best Visual Effects | Paramount/Lucasfilm Ltd. |
| 1980 | THE EMPIRE STRIKES BACK
Academy Award - Best Visual Effects | 20th Century Fox/Lucasfilm Ltd. |
| 1977 | STAR WARS
Academy Award - Best Visual Effects | 20th Century Fox/Lucasfilm Ltd. |
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